Gallery details
PROJECT DETAILS
project: PARAPRAXIS
type: PRINTS ON GLASS
PROJECT DESCRIPTION
Parapraxis – A Landscape of Internal Conflict:
Parapraxis is a speculative architecture that lives between memory, trauma, and myth—an environment where the subconscious manifests as terrain. Built on the psychoanalytic idea of the “Freudian slip,” the project explores architecture as a site where control fractures and meaning leaks out sideways. The landscape is part surgical theater, part post-mythological ruin—an inhabited artifact that exposes its own mechanisms of suppression, distortion, and projection. Programs are defined not by use, but by psychological function: displacement, repression, ritual, coping.
This is not a utopia or a dystopia, but a topography of unresolved contradictions. Everything is hyper-designed and yet decaying. Materials are raw but articulated, suggesting a structure that is at once deliberate and eroding from within. The architecture resists legibility. Spaces loop, duplicate, or mirror themselves. Volumes emerge from procedures—folds, seams, prosthetic attachments—rather than typologies. It is a place where symbolic systems collapse under the weight of their own logic, and yet new patterns emerge in the disorder. Visually, Parapraxis is a collision between surgical technology, classical narrative structure, and post-digital ruin. It proposes an architectural language not for order, but for containment and leakage—a space where design becomes a diagnostic tool for the psyche.
Thank you to J6 CREATIVE & NRT GRAPHICS for the amazing work
EXHIBITION:
RSR.000 exists at the outer edge of the transformation matrix—fully severed from its original “pure” TPS state. This moment marks a collapse of resolution, legibility, and scale. What appears monumental is actually a micro-fragment: a cropped portion of one mutated aggregation frozen in time. The print process—layered within a glass block—captures the embedded depth of this moment. What begins as a flat surface reveals itself as volumetric; light passes through gradient fields of distortion, implying a space that extends beyond its physical dimension. Like a 2D slice of a 4D event, it hints at something continually unfolding just out of reach.
RSR SERIES – Controlled Growth, Mutated Systems:
The RSR (Recursive Surface Reinterpretation) Series explores the behavior of mutated and unmutated triple periodic minimal surfaces through controlled aggregation and deformation. The base geometry begins with an 8-handle condition. Samples were taken at handle counts of 4, 8, 12, 24, 48, and 100, each subjected to multiple aggregation sequences and procedural mutations. Once a set of base clusters was generated, a controlled sequence of 4 was selected for mutation studies. These initial “pure” conditions remained untouched throughout the process—anchoring the system while mutated derivatives pushed outward into unexpected forms. The resulting geometries exist somewhere between high-resolution logic and perceptual noise—provoking new forms of recognition, ambiguity, and projection.
RSR GLASS – Frozen Moment in a Volumetric Index:
This physical artifact is composed of 30 layers of glass, each capturing a slice of a 3D computational geometry undergoing internal rupture. The digital model was sliced into 65 total layers; these were selectively condensed into the 30 physical panes based on desired levels of transparency, density, and spatial rhythm. Each layer contains varying amounts of data—some capturing solid form, others dissolving into color gradients or voids. The result is a frozen “moment” of the structure exploding from the inside out—as if caught mid-transformation and preserved inside a cube of air and light. It’s not a sculpture, but an indexed event. A spatial memory. A diagram of a structure at the exact moment it becomes illegible.
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